Garcia
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It tells the story of five friends who discover a jewel theft plot in a cemetery without any adult believing them.
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Por conta dos vários atrasos nas gravações do remake de "Dona Beja", da Max, o contrato do diretor da novela, Hugo de Sousa, chegou ao fim antes do início da pós-produção. Para fazer essa tarefa, que inclui edição e montagem, a produtora Floresta decidiu assinar com a ex-diretora da Globo Flávia Lacerda.
'Dona Beja': cena de Grazi Massafera nua em cima de cavalo dá trabalho à e...
'Dona Beja': cena de Grazi Massafera nua em cima de cavalo dá trabalho à e...
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The story is said to follow a pair of loner college undergrads, Jack and Montgomery, who order a take-out pie, but accidentally take a homemade drug that turns a two-floor journey downstairs into a “mind-bendingly transformative quest.”
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In the working-class suburbs of Bilbao in the 1980s, a children's rhythmic gymnastics team is preparing to take part in a championship to be held in Berlin. As mothers are unable to accompany their daughters, the task falls to the fathers.
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Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself.
When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.
When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.
