Greta
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上世纪五十年代，爱丽丝离开了家乡瑞士，前往充满活力的“东方巴黎”贝鲁特。爱丽丝很快融入了当地的生活，并且和来自黎巴嫩本土的天体物理学家约瑟夫一见钟情，组成了美满的家庭。当约瑟夫专注于把黎巴嫩人首次送上太空的历史性任务时，内战渐渐威胁了他们的伊甸园，爱丽丝也被迫站在人生抉择的十字路口。战争的话题虽然沉重，但创意真人动画穿插全片，四两拨千斤地调和了影片的基调。导演把家庭历史完美地融入影片，借细腻而不赘余的情感输出，将其对于归属感的见解娓娓道来。
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19世纪末，一位年轻的丹麦牧师跋山涉水，不远万里的来到冰岛的一个偏远地区，建造了一座教堂并打算拍摄当地居民。但他越是深入这不堪一击的风景里，就越是偏离他的目标、使命和道德。
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已过而立之年的汉娜·梅滕（米娜·唐德 Mina Tander 饰）是一家医院的医生，虽然事业顺利，饮食无忧，且育有一个可爱的女儿莉娅（Lina Köhlert 饰），但是她和丈夫的婚姻已经走入死胡同，身心疲惫不堪。这一晚，汉娜的医院接收一名服用安眠药过量生命垂危的患者，而对方正是汉娜童年时代的好朋友克拉丽莎（Laura de Boer 饰）。好友久别重逢，彼此互相倾诉心底的不快，进而相约暂时抛开现实生活中的一切，启程回到童年时留下无数快乐记忆的海边小岛。一路欢歌，汉娜带着女儿和克拉丽莎抵达目的地，但不知为何她似乎忘记了童年时在当地结识的另一位好友玛丽亚（Mia Kasalo 饰），也对曾经那段黑暗回忆印象稀薄。
只不过就如宿命一般，她必须在这里重拾被遗忘的人与物……
只不过就如宿命一般，她必须在这里重拾被遗忘的人与物……
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After a global neurological epidemic, those who remain search for meaning and connection in a world without memory.
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孤儿海蒂（Shirley Temple 秀兰•邓波 饰）和黛特阿姨（Mady Christians 饰）生活在一起，然而黛特不愿继续在照顾外甥女，于是千里迢迢将海蒂送到偏远的善终——海蒂爷爷（Jean Hersholt 饰）的隐居之处。因失去儿子而沉浸悲伤之中爷爷阿道夫 起初无视这个从未见过面的孙女，但随着时间推移，祖孙俩的感情日益加深。
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Dealing with the pressure of his father and his need to be someone, Pablo decides to start a new shady, tricky business that will lead him to some happy but tragic experiences.
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Chile's 2009 Academy Awards official submission to Foreign-Language Film category.
Santiago de Chile, 1978.
In the midst of the tough social context of Pinochets dictatorship, Raúl Peralta, a man in his fifties, is obsessed with the idea of impersonating Tony Manero, John Travoltas character in Saturday Night Fever.
Raúl leads a small group of dancers regularly performing at a bar located in the outskirts of the city. Every Saturday evening, he unleashes his passion for the films music by imitating his idol. His dream of being recognized as a successful showbiz star is about to become a reality when the national television announces a Tony Manero impersonating contest. His urge to reproduce his idols likeness drives him to commit a series of crimes and thefts.
In the meantime, his dancing partners, who are involved in underground activities against the regime, are persecuted by the governments secret police.
Tony Manero is a story about loss of identity and obsession in the recent Chilean history
Santiago de Chile, 1978.
In the midst of the tough social context of Pinochets dictatorship, Raúl Peralta, a man in his fifties, is obsessed with the idea of impersonating Tony Manero, John Travoltas character in Saturday Night Fever.
Raúl leads a small group of dancers regularly performing at a bar located in the outskirts of the city. Every Saturday evening, he unleashes his passion for the films music by imitating his idol. His dream of being recognized as a successful showbiz star is about to become a reality when the national television announces a Tony Manero impersonating contest. His urge to reproduce his idols likeness drives him to commit a series of crimes and thefts.
In the meantime, his dancing partners, who are involved in underground activities against the regime, are persecuted by the governments secret police.
Tony Manero is a story about loss of identity and obsession in the recent Chilean history