Larsen
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《矫枉过正》是斯金纳根据自己的生活创作的一部以大学为背景的集体喜剧,讲述了本尼狂野、混乱的旅程。本尼是一名深藏不露的前足球运动员和返校节之王,他与卡门结下了深厚的友谊,卡门是一名高中局外人,不惜一切代价想要融入其中。在本尼的姐姐和她校园传奇男友的指导下,本尼和卡门经历了可怕的勾搭、调味伏特加和假身份证。这部剧非常有趣和个人化,探讨了我们在寻找真实自我的过程中过度补偿的程度。
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Gritt是一个有远大抱负的挪威女人。她想制作一部名为《白色炎症》的社会批判性戏剧作品,但却始终无法用语言确切地表达出作品的主题。她说,挪威,或许还有整个西方,被冷漠所征服。"无力行动。" 悲剧的是,没有人愿意听她说什么。
从风格上看,这部长篇处女作反映了Gritt在这个世界上越来越不稳定的过程。无论她走到哪里,门都会砸在她的脸上;她看到自己创作一出戏的梦想要烟消云散。起初,她的焦躁似乎是一种对未知的好奇,但随着每一次新的失望,不安分的摄像变得更加压抑。
一路走来,Gritt的滑稽戏底色变成了拼命坚持生活的痛苦隐喻。Gritt用难以与我们所认为的现实接触来表达她对生活的体验。但这一切都可以如此不同,影片巧妙地暗示。她本可以成为Lars那样成功的艺术总监。但她不是Lars。在路上的某个地方,她错过了一个转折点。
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美国流行天后麦粒·赛勒斯亲自操刀,将新碟《Something Beautiful》13首原创歌曲化身成一场流行歌剧,注入奇幻风格与超现实视觉美学,带你走入一场独一无二嘅视觉盛宴。
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《矫枉过正》是斯金纳根据自己的生活创作的一部以大学为背景的集体喜剧,讲述了本尼狂野、混乱的旅程。本尼是一名深藏不露的前足球运动员和返校节之王,他与卡门结下了深厚的友谊,卡门是一名高中局外人,不惜一切代价想要融入其中。在本尼的姐姐和她校园传奇男友的指导下,本尼和卡门经历了可怕的勾搭、调味伏特加和假身份证。这部剧非常有趣和个人化,探讨了我们在寻找真实自我的过程中过度补偿的程度。
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该剧主要讲述了同住一室的三个离婚男人。而住在他们对面的正是他们的离婚律师兼女房东,声称“从未结过婚”的霍莉。首集中霍莉将她最新的单身客户斯图尔特介绍给新室友--女人之友菲尔以及宅男哈斯克尔。粘人的斯图尔特的加入给这两人的生活带来了新变化。住在对面的霍莉对三大男人的生活异常关心以此逃避自己失败的感情。随着今后的生活,三个大男人渐渐开始意识到原来他们的前妻竟有着相同的问题。
俗话说得好,三个女人一台戏。现在三个男人一台戏。。。
俗话说得好,三个女人一台戏。现在三个男人一台戏。。。
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Problematic father figures and a pill-pushing doctor lead a Danish man into darkness in Isabella Eklof's powerful drama echoing with colonial conflict.
Jan is on the run from himself and his traumas after being sexually abused by his father. Now he lives with his family in Nuuk, Greenland, where he works as a nurse and does his best to assimilate into the local community. However, his past catches up with him through a letter from his now dying father, plunging him into a downward spiral of drugs and extramarital affairs. Emil Johnsen is captivating in the lead role, portraying Jan as both boyishly fragile and deeply unsettling. Haunted by his own father figure he's reflecting Denmark's paternalistic relationship with Greenland and its population. Isabella Eklof follows up her acclaimed debut (Holiday, GFF 2018) with a courageous exploration of human darkness, based on Kim Leine's autobiography, solidifying her position as one of our most exciting Nordic directors.
Jan is on the run from himself and his traumas after being sexually abused by his father. Now he lives with his family in Nuuk, Greenland, where he works as a nurse and does his best to assimilate into the local community. However, his past catches up with him through a letter from his now dying father, plunging him into a downward spiral of drugs and extramarital affairs. Emil Johnsen is captivating in the lead role, portraying Jan as both boyishly fragile and deeply unsettling. Haunted by his own father figure he's reflecting Denmark's paternalistic relationship with Greenland and its population. Isabella Eklof follows up her acclaimed debut (Holiday, GFF 2018) with a courageous exploration of human darkness, based on Kim Leine's autobiography, solidifying her position as one of our most exciting Nordic directors.
