Mura
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京舞妓杀人事件告破，但与案件相关联的组织“神和会”仍然是一课调查的对象，并且该组织似乎还和日进化学纤维公司社长——田原雄一郎有着密切的联系。狩矢警部的好友村松博也是一名记者，他在秘密调查着有关田原雄一郎与神和会的情报，他似乎掌握着有关田原雄一郎的秘密，而几天后，村松却惨遭杀害。与此同时，日进化学纤维公司举办的婚纱时装秀拉开序幕，狩矢的女儿和美与美国副总统的女儿凯瑟琳来到了现场。休息室内，婚纱模特水木理沙子被熊熊燃烧的火焰烧死，一课开始对案件进行调查。
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A woman vanishes. Two men take to the road in search of her: they both love her. Why did she leave? Each one of them has his own suspicions, and hides them from the other one who—mysteriously—never truly becomes his rival. Neither is right—but is anyone? This sudden runaway becomes the hidden core of a number of fictions that the film delicately weaves together: the secret of the heart of another woman, lost as well, many years ago; the secret of the life of a village in the countryside, governed by a supernatural incident that nobody seems to perceive; the secret of the plains, which never ceases to spread and devour everything, like the shadows that invade the world after the twilight hour.
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Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
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In season three, Ray’s world has contracted. Family life looks a little different as he quietly mourns the loss of Bruce, while figuring out how to care for his aging father, Bill (Kenny Graham). As Brittany (Chika Yasumura) grows into a young woman, she draws further away from Ray and comes closer to discovering the truth about who he really is. Things seem good with Gary (Justin Rosniak) and Dave (Matt Nable), however since severing ties with former boss and confidant Freddy (Damon Herriman), Ray is working freelance and feeling a sense of isolation. With business booming, a new connection with criminal kingpin Rafael (Jeremy Sims) intensifies Ray’s struggle and when sparks fly with new colleague Zoe (Emily Barclay), an unexpected tragedy makes Ray question both his career trajectory and his ethics.
