Gabi
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律师贾斯汀（Justin）与社工梅赛德斯（Mercedes）在一桩公诉案中针锋相对。然而，在这场激烈的冲突背后，浪漫的情愫也在悄然生长。在滑雪胜地阿斯彭的银装素裹下，两人陷入了情感与立场的拉锯，并最终携手开启了一段寻找正义的共同旅程。
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揭露墨西哥司法黑幕的纪录片：和渣男同居生子的14岁女孩突然失踪，女孩母亲苦苦追寻。最终渣男承认杀妻，但法庭竟然判无罪；母亲寻求社会支持，二审法院改判有罪但渣男已潜逃且加入贩毒集团。无法抓住渣男的母亲，只有在州政府外面居住抗议，某夜母亲被凶手当众杀害，替罪羊被抓住定罪。渣男最后死于帮派的枪战中。
母亲的三重死亡应该是指：女儿的死亡（哭死）、一审无罪的判决（心死）、被枪杀于州政府门口（身死）。
母亲的三重死亡应该是指：女儿的死亡（哭死）、一审无罪的判决（心死）、被枪杀于州政府门口（身死）。
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维吉妮·泰维诺特是一位颇为特殊的数学老师，她利用大学里的总罢工机会，在一小群学生身上尝试了一项非同寻常的实验。她打了个赌：让他们为所欲为……这颗火花将点燃青少年们的精神，在学校里掀起一场小革命，并彻底颠覆他们的生活。
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影片围绕着达米安展开。达米安在公司工作多年后被老板解雇，为了逃避老板，他躲在一个旧衣柜里。这衣柜被送到了一户中产阶级家庭，露西亚、费德和他们十几岁的女儿玛丽亚就住在那里。达米安意识到，待在衣柜里让他有机会过上他一直渴望的生活。于是，他成了这家人的守护天使，在他们不在的时候做家务，但他开始对现实失去控制，而正在服用抗抑郁药的露西亚则认为衣柜里藏着她已故哥哥的鬼魂。
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This is the story of Juozapas, a very special boy who has a big secret. His heart is protected by a glass dome and thick armor. The center of his universe is the bug hotel he built himself in an old manor house and the insects that live there. One day, Rugilė moves to town and turns Juozapas’s life upside down. Thanks to Rugilė, Juozapas overcomes his fears and becomes open to the world. Friendship works wonders!
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Dreamy animated images in detailed henna painting and atmospheric watercolours dominate a young Spanish artist’s moving journey of discovery. In a small bookshop in India, Inés comes across the feminist-utopian science fiction story “Sultana’s Dream.” It is about the terrible revenge on men, the bookseller explains. In the slim volume she wrote in 1905, Rokeya Hossain describes the fantasy realm of Ladyland – a land in which women are self-determined and live in peace, in which they run all government affairs and all forms of education are open to them. And the men? Their place in Ladyland, the bookseller continues, is where they belong: locked up at home.
Fascinated by the literary “painting” of this place and its inventor, Inés sets out in the footsteps of the writer and teacher Hossain, who championed education and equal rights for Indian girls and women as early as the beginning of the 20th century. The trip takes the Spaniard across contemporary India. Her companions are the dreams of Ladyland – and the utterly different realities of the lives of the women she meets on her journey.
Fascinated by the literary “painting” of this place and its inventor, Inés sets out in the footsteps of the writer and teacher Hossain, who championed education and equal rights for Indian girls and women as early as the beginning of the 20th century. The trip takes the Spaniard across contemporary India. Her companions are the dreams of Ladyland – and the utterly different realities of the lives of the women she meets on her journey.
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No bloody slashers have ever before been made in Lithuania. Takashi Miike’s die-hardest fan Jonas Trukanas accomplished his dream and independently created an inventively ripping horror thriller with a minimal budget.
Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way.
There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him?
Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.
Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way.
There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him?
Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.