Kenna
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当男人们离去是一部酷儿修正主义历史喜剧。背景设在20世纪40年代二战时期的澳大利亚乡村，那时男人们外出打仗，两名女子地面军的新兵从悉尼来到乡村，在种族关系、乡村政治、农作、精神、性以及个人成长方面上了激动人心的一课。
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Lou和Henry是太平洋西北地区一个小警队中的姐弟侦探组合，他们必须面对各式各样的居民、严重缺乏的资源，以及二人彼此之间、二人与警局局长Big Hank之间非常复杂的关系，而Hank恰好是他们的父亲。
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Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella.
Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.
Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.
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一名前途无量的年轻拳击手在妻子的陪伴下逃离共产主义波兰，追求成为史上最伟大拳击手的梦想
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体育老师简被迫过着双重生活。白天，她在学校需要隐藏真正的自己，扮演社会所期望她扮演的角色。只有在夜晚，她才能与生活中不相干的一群朋友体验她想要的生活。本已习惯如此生活的简，因与一名学生意外在夜店的相识而得知了彼此的秘密。然而即便如此，简依然无法为这名学生在学校的所遭受的冤屈公开表示抗议。陷入深深自责的简，决定要开始做一些改变......
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苏雷曼从巴勒斯坦逃离，渴望前往新的家园生活，却意识到自己的故土如影随形。对新生活的期待很快沦为一个荒谬的笑话：从巴黎到纽约，不管他走到哪里，总有些地方让他想起祖国。在这一部关于探索身份、国籍和归属感的喜剧故事里，苏雷曼提出了一个本质性的问题：我们能够真正称之为家的地方到底在哪儿？
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The collapse of the dollar precipitates widespread rioting and social unrest across the nation, leaving a lovesick girl struggling to care for her siblings in a stretch of woods bordered by lawless anarchy, wondering why a good God would let this happen.
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墨西哥籍的 Margarita 是位超级褓母，照料僱主一家大大小小事；除了整理家务、会计作帐、水电维修样样来，关怀与付出更是没少过。儘管有位能干帅气的工人 Carlos 喜欢她，但 Margarita 相恋的对象却是害怕承诺的法律系学生 Jane。谁知僱主夫妇家陷入经济困境，突然解僱 Margarita，让她因非法移民身份而面临调查与回国的窘境，而私心想把这位超级褓母留在身旁帮手的僱主则又开始想尽办法留住她。本片在温馨幽默中，同时呈现出非法移工与女同志身份所面临的残酷现实，并赢得多伦多同志影展观众票选最佳剧情片